谢晋电影的"人民性"表达——在新时代精神视阈下
The"People-oriented"Expression in Xie Jin's Films from the Perspective of the New Era Spirit
峻冰 1侯晨曦1
作者信息
- 1. 四川大学文学与新闻学院,四川成都 610207
- 折叠
摘要
立足新时代文化语境对谢晋电影进行审视,在某种意义上,可以说,谢晋电影(以《芙蓉镇》《牧马人》《天云山传奇》等片为代表)从个人(或家庭)的生活状态(或生存状况)对历史变迁和社会转型的伦理化柔性表达,应是一种以人为本地高扬"人民性"的表现:因为作为个体的人与作为集体的人是互相指涉、不可分割的;当然,其作所谓的"政治意识的道德化"及常见的"大团圆结局",其实也是基于对人乃至广大人民的创伤抚慰、心灵重塑之上的,因为在一定程度上,对创伤的一次次翻阅之于创伤主体也是不人道的;于此意义上,谢晋电影亦是在进行着富有人本、人道精神的"人民性"书写——这也体现出一个电影导演的人文情怀与艺术良知.概言之,以新的时代精神重新考察谢晋电影并给予较为客观的评价,显然具有积极的现实和史学意义.
Abstract
Examined on the basis of the cultural context of the new era,in a sense,it can be said that Xie Jin's films(represented by the films such as Hibiscus Town,The Herdsman,Legend of Tianyun Mountain,etc.)can be said to express the ethical and flexible expression of historical changes and social transformation from the perspective of individual(or family)living conditions(or survival conditions),which should be a manifestation of promoting"people-orientation"locally:because individuals and collectives are interrelated and inseparable.Of course,its so-called"moralization of political consciousness"and common"happy ending"are actually based on the comfort and spiritual reconstruction of people and even the general public,because to a certain extent,the repeated review of trauma is also inhumane for the trauma subject.In this sense,his films are also writing about the"people-orientation"with a humanistic and humane spirit writing,which also reflects a film director's humanistic feelings and artistic conscience.In summary,reexamining his films in the spirit of the new era and providing a more objective evaluation clearly has positive practical and historical significance.
关键词
谢晋电影/人民性/时代精神/伦理化柔性表达Key words
Xie Jin's films/people-orientation/zeitgeist/ethical and flexible expression引用本文复制引用
出版年
2024
NETL
NSTL
万方数据