首页|当代武侠动画的叙事转型:范式模态的多元融合与暴力美学的极致表达

当代武侠动画的叙事转型:范式模态的多元融合与暴力美学的极致表达

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当前国内的武侠动画电影叙事方式有从时间叙事向多种叙事方式相结合的转变趋势,以及在空间叙事方面的暴力美学呈现.多种叙事方式相结合的叙事模式的转变不但将故事的角色塑造得更为饱满形象,而且也将武侠动画的审美向多元化推进.作为暴力美学的电影叙事方式,萌芽与流行于20世纪上半叶的美国的好莱坞动作片,并兴盛与光大于20世纪90年代的香港动作电影中,而在本世纪中国的武侠动画电影中得以充分的展现.武侠动画通常以诗情画意式的暴力美学打动观众,不仅营造了唯美、潇洒的叙事意境,而且呈现更为高级的审美特点.展望未来,暴力美学与娱乐元素的深度融合以及诗性表达的极致追求,无疑将引领国内武侠动画迈向更加广阔的发展空间.
Narrative Transformation in Contemporary Martial Arts Animation:Pluralis-tic Integration of Paradigm Modalities and the Ultimate Expression of Aesthet-ics of Violence
The narrative approach of domestic martial arts animated films is primarily characterized by the transformation from temporal narrative to the integration of various narrative methods,as well as the full expression of the aesthetics of violence in spatial narration.The shift towards a narrative model that combines multiple narrative methods not only enriches the character portrayal in the story but also advances the aesthetics of martial arts animation towards diversification.As a narrative method of the aesthetics of violence in cinema,it originated and became popular in American Hollywood action films in the first half of the 20th century and flourished in Hong Kong action cinema in the 1990s,finding its full expression in the martial arts animated films of China in this century.Martial arts animation often moves the audience with a poetic form of the aesthetics of violence,creating not only a beautiful and unrestrained narrative mood but also presenting more sophisticated aesthetic characteristics.In the narrative model of the aesthetics of violence,its integration with entertainment elements and the full expression of poetic nature will be an important direction for the development of domestic martial arts animation.

Martial Arts AnimationAesthetics of ViolenceNarrative ParadigmPluralistic Integration

高路、詹晓雨

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四川电影电视学院管理学院

四川传媒学院编导艺术学院,四川 成都 611745

武侠动画 暴力美学 叙事范式 多元融合

2024

四川文理学院学报
四川文理学院

四川文理学院学报

CHSSCD
影响因子:0.236
ISSN:1674-5248
年,卷(期):2024.34(6)