拉俄达弥亚剧的悲剧精神在白银时代文学中的变易
The"Becoming"Relationship of Tragic Spirits in Laodamia Tragedies in Silver Age
余翔1
作者信息
摘要
希腊神话中拉俄达弥亚的爱情悲剧在白银时代的俄国文坛引起了集中关注,因·安年斯基、费·索洛古勃和瓦·勃留索夫分别据此写出了各具风格的现代悲剧,塑造了三位悲剧精神迥异的女性形象.以该悲剧原型的正反"二重性"——爱情的永恒性与生命的局限性为纲,三部作品在核心情节、象征系统以及伦理冲突层面均呈现出有迹可循的诗学差异,并由此导致三位主人公的悲剧精神形成变易关系,而这层关系背后则潜藏着作者们各自的创作意志.
Abstract
The ancient Greek tragedy of"Laodamia"has attracted the attention of the Russian literary circle in Silver Age.Using this theme,I.Annenskiy,F.Sologub and V.Brusov wrote three modern tragic works with different styles,and successfully shaped three female images with different tragic spirits.Based on the"duality"structure contained in this tragedy,namely the permanence of love and the limitation of life,in core plots,symbolic systems and ethical conflicts three works show traceable poetic differences,which leads to the formation of a changing relationship between the tragic spirits of the three heroines,and behind this relationship lie the authors'creative wills.
关键词
拉俄达弥亚/悲剧精神/二重性/变易/酒神Key words
Laodamia/tragic spirit/duality/becoming/Dionysus引用本文复制引用
基金项目
国家社会科学基金青年项目(2023)(23CWW020)
出版年
2024
NETL
NSTL
维普
万方数据