俄罗斯文艺2024,Issue(2) :89-99.

以反象征主义视角分析《天赋》中的父子镜像关系

An Analysis of the Mirror Image Relationship between Father and Son in"The Gift"through Anti-Symbolist Lens

朱子薇
俄罗斯文艺2024,Issue(2) :89-99.

以反象征主义视角分析《天赋》中的父子镜像关系

An Analysis of the Mirror Image Relationship between Father and Son in"The Gift"through Anti-Symbolist Lens

朱子薇1
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作者信息

  • 1. 莫斯科国立大学
  • 折叠

摘要

在小说《天赋》中,弗·纳博科夫设立了车尔尼雪夫斯基父子与戈杜诺夫-切尔登采夫父子的对称人物结构.通过"父丧子""子丧父"的镜像情节,作者对比了亚历山大·车尔尼雪夫斯基与费奥多尔·戈杜诺夫-切尔登采夫在面对"亲人之死"时的不同抉择与思考.前者的悲剧根源在于不加限制地混淆幻想与现实,忽视客观世界的美好.而后者通过艺术创作的方式弥补了现实缺憾,从而克服父亲之死带来的心理创伤.纳博科夫借此批判了象征主义的神秘化倾向,同时表达了艺术在"此岸"生活中的伦理意义.元小说的镜像结构使主人公费奥多尔的父子关系与纳博科夫本人的父子关系形成对照,纳博科夫同镜中的费奥多尔一样,在艺术创作过程中与失去父亲的悲剧性事件和解.

Abstract

In the novel The Gift,V.V.Nabokov created a symmetrical character structure of two pairs of father and son.Through the mirror-image plot of"the father loses his son"and"the son loses his father",the author contrasts the different choices of Alexander Yakovlevich Chernyshevski and Fyodor Godunov-Cherdyntsev when they face"the death of their loved ones".The author compares Alexander Yakovlevich Chernyshevski and Fyodor Godunov-Cherdyntsev in their different choices and thoughts when facing this tragic.The former's tragedy is rooted in the unrestricted confusion between fantasy and reality,and overlooked the beauty of the objective world;while the latter was able to overcome the psychological pain of his father's death because he made up for the lack of reality with art.Through this,Nabokov criticizes the mystical tendency of Symbolism,and at the same time expresses the ethical significance of art in the life of"This shore".The mirror structure contrasts the father-son relationship of the Fyodor Godunov-Cherdyntsev with that of Nabokov himself,who,like protagonist in the mirror,reconciles himself to the tragic loss of his father in the course of his artistic.

关键词

弗·弗·纳博科夫/《天赋》/象征主义/父子

Key words

V.V.Nabokov/The Gift/Symbolism/father and son

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出版年

2024
俄罗斯文艺
北京师范大学

俄罗斯文艺

CSTPCDCHSSCD
影响因子:0.093
ISSN:1005-7684
参考文献量22
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