他者的在场——论巴赫金的怪诞诗学
The Presence of the Other—On Bakhtin's Grotesque Poetics
洪昕1
作者信息
摘要
巴赫金在论拉伯雷的专著里提到"怪诞现实主义"这一概念,它不仅是理解民间诙谐文化和拉伯雷形象的基石,而且对于理解巴赫金思想具有重要意义.巴赫金本人在探讨这一概念时不仅详细分析了怪诞风格史,还批判了沃尔夫冈·凯泽尔对怪诞的看法.可以说,自巴赫金之后,形成了一门独特的怪诞诗学.本文追本溯源,从最初的洞穴岩画谈起,通过分析巴赫金的思想及其对凯泽尔的批判,试图论证怪诞本身就包含他者.本文认为,他者是怪诞的核心所在,怪诞诗学蕴含自身与他者的互动关系,而这一互动关系意味着一种人文主义精神,抵抗冷漠、虚无和恐惧,拒绝傲慢、蔑视和鄙夷.
Abstract
Bakhtin mentioned the concept of"grotesque realism"in his monograph on Rabelais.It is not only the cornerstone of understanding the culture of folk humor and Rabelais's image,but also is of important significance for understanding Bakhtin's thought.In exploring this concept,Bakhtin himself not only analyzed the history of the grotesque style in detail but also criticized Wolfgang Kayser's view of the grotesque.It can be said that since Bakhtin,a unique grotesque poetics has been formed.By tracing the initial grotto paintings and analyzing Bakhtin's thoughts and his criticism of Kayser,this article aims to reveal that the grotesque itself contains the presence of the other.This article believes that the other is the core of the grotesque,and the grotesque poetics implies an interaction between the self and the other.Exploring this interaction can inspire people to uphold the spirit of humanism,resist indifference,nihilism,and fear,and reject arrogance,contempt,and disdain.
关键词
怪诞/他者/巴赫金/沃尔夫冈·凯泽尔Key words
grotesque/the other/Bakhtin/Wolfgang Kayser引用本文复制引用
出版年
2024