当代中国交响音乐的符号叙述策略探析——以张千一的《我的祖国》为例
Semiotic Narrative Strategies in Contemporary Chinese Symphonic Music:Zhang Qianyi's My Motherland
张兆麟1
作者信息
- 1. 四川大学文学与新闻学院;西北民族大学音乐学院
- 折叠
摘要
张千一创作的交响套曲《我的祖国》在兼顾可听性与专业性的同时,利用标题建构音乐叙述框架,将新时代的丰富内涵和人文风貌作为展现祖国形象的重要路径,为大众进入《我的祖国》语义空间奠定了理解基础.本文以符号叙述学视角为切入点,分别从"标题指示与叙述分层""双轴操作与双层结构""音乐互文与情感言说"三个方面,揭示中国交响音乐聆听与阐发的更多可能性.
Abstract
The symphonic suite My Motherland composed by Zhang Qianyi,considering both listenability and professionalism,constructs a musical narrative framework using titles.It takes rich connotations and humanistic features of the new era as a pathway to showcase the image of the motherland,laying a foundation for the public to understand its semantic space.From the perspective of semiotic narratology,this article delves into three aspects of the work,namely"title indication and narrative stratification","dual axes operation and double-layer structure",and"musical intertextuality and emotional discourse",revealing further possibilities for listening to and interpreting Chinese symphonic music.
关键词
《我的祖国》/音乐叙述/祖国形象/符号叙述学/中国交响音乐Key words
My Motherland/musical narrative/image of the motherland/semiotic narratology/Chinese symphonic music引用本文复制引用
出版年
2024
NETL
NSTL
万方数据