新世纪我国革命影视作品女性形象再生产——以革命女性情感结构为中心
Female Image Reproduction of China's Revolutionary Film and Television Works in the New Century:Centering on the Emotional Structure of Revolutionary Women
胡丽娜1
作者信息
- 1. 江西师范大学文学院,江西南昌 330022;南昌师范学院文学院,江西南昌 330032
- 折叠
摘要
新世纪以来,我国革命影视作品在时代转向中呈现崭新面貌,女性开始以主要人物形象出现,人物塑造尝试多元化、多维化,并作为一个有生命的中介传递政治信息,寓"崇高"的革命话语于大众易于接受的形式中.与此同时,女性依然作为被观看的对象、被物化的符号而被不断放大,以满足大众对革命的想象.革命影视作品兼具文艺的消费性和文艺的政治性,并致力寻找二者的动态平衡,由此女性形象在传奇形象和严肃形象之间游走,在不确定性中寻找一种合理性.女性情感作为一个时代命题依然影响着女性形象的再生产,如何生动展现女性情感的复杂性和多样性是未来革命影视作品中女性形象塑造面临的挑战.
Abstract
Absrtact:Since the new century,the revolutionary film and television works have taken on a new look in the turn of the times.Women begin to appear in these works as main characters with diversified and multidimensional characterization.And as a living medium,they transmit political information and carry the"lofty"revolutionary discourse in a form that is easily accepted by the masses.At the same time,women,still as the object to be watched and the symbol of objectification,are constantly magnified to meet the public,curiosity about the revolu-tion imagination.Revolutionary films and television works possess both the consumerism and political nature of lit-erature and art,and strive to seek a dynamic balance,the female images wander between legendary images and serious images,seeking a kind of rationality in uncertainty.As an era proposition,women's emotions continue to influence the reproduction of women's images,and how to vividly portray the complexity and diversity women's e-motions is a challenge faced by the portrayal of women's images in future revolutionary film and television works.
关键词
革命影视作品/女性形象/再生产/女性情感Key words
revolutionary film and television works/female image/reproduction/female emotion引用本文复制引用
出版年
2024
NETL
NSTL
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