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接受美学与曹禺对契诃夫戏剧语言艺术的接受研究

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不同于莎士比亚戏剧语言的华丽典雅,契诃夫擅长通过简洁凝练的语言,挖掘人物的内心世界,表现人物的精神空间,从而使本来生活化的人物对白被注入浓浓的诗意,令人回味无穷。抗战进入相持阶段,民众心理从初期的盲目乐观转为消极悲观,客观上需要戏剧创作向现实主义转型,以适应斗争需要。生活在大变革时代下的曹禺,在接受契诃夫现实主义戏剧创作思想的同时,将中国古典文学中的意境表现手法融入其中,形成了富于民族审美特性、独具特色的戏剧风格。
On Cao Yu's Reception of Chekhov's Dramatic Language From the Perspective of Reception Aesthetics
Different from the magnificent and elegant language in the drama of Shakespeare, Chekhov is excel at reflecting people's inner world with concise and poetic language which makes plain dialogues meaningful. During the stalemate phase of Anti-Japanese War, people's unrealistically optimistic attitude faded gradually. Considering the disadvantage of people's pessimism, realistic drama was expected to be created to meet the needs of the war. In the era of big transformation, Cao Yu created a unique drama style full of national aesthetic feature by incorporating Chekhov's realistic drama writing and artistic conception of Chinese classical literature.

ChekhovCao Yudrama languageaccept

周海云

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蚌埠学院 外语系,安徽 蚌埠 233030

契诃夫 曹禺 戏剧语言 接受

蚌埠学院2015年立项科研课题

2015SK07

2016

广东技术师范学院学报(自然科学版)
广东技术师范学院

广东技术师范学院学报(自然科学版)

ISSN:1672-402X
年,卷(期):2016.37(9)
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