首页|政治与成人的视角替换--关于文革时期儿童文学的思考--以电影文学剧本《金色的阿夏河》为例

政治与成人的视角替换--关于文革时期儿童文学的思考--以电影文学剧本《金色的阿夏河》为例

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从儿童心理学的角度分析儿童文学作品,可以发现在文革时期政治化、革命化和成人化的干预下,政治成为儿童文学的“监护人”。作品中的少年儿童形象,无论是行为举止、对话或者心理独白,都采用了政治化、成人化的视角,忽略了儿童文学审美的本质特性。这些儿童文学作品以红卫兵的形象标准刻画少年儿童人物形象,以政治化的理想充当文本的主题,儿童视角的拔高和儿童游戏场景的消失,是文革时期儿童文学作品写作政治与成人视角的替换的结果。
The Replacement of Politics and Adult's Perspective in Children Literature in the Cultural Revolution Period
Analyzing children literature from the perspective of child psychology, we can find that during the cultural revolution period, politics became a new "guardian" of children' literature under the intervention of politics, revolutionary and adultification. Children's behavior, dialogue or monologue which should reflect children's images in literature works became political and adult prone, ignoring the essence of aesthetic features in children literature. These works depicted children's characters according to the images of the standard red guards, and the political ideals were adopted as the theme of the text. The elevation of children's perspective and the disappearance of children's games in these works results from the replacement of politics writing and the adult's perspective during the cultural revolution period.

the Cultural Revolution Periodchildren literatureadults' perspectivegame scene

蔡杨淇

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广东技术师范学院 文学院,广东 广州 510665

文革 儿童文学 成人视角 游戏场景

2016

广东技术师范学院学报(自然科学版)
广东技术师范学院

广东技术师范学院学报(自然科学版)

ISSN:1672-402X
年,卷(期):2016.37(9)
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