《文心雕龙·声津》"楚辞辞楚"迁想——从批评沿袭方音到肯定楚辞文学描写和语音流变上的历史贡献
An Contemplation on"Songs of Chu leaving Chu"in the Chapter Sound Rhythm of The Literary Mind and the Carving of Dragons-From Criticizing on Following the Local Accent to Approving about Historical Contributions of Literary Description and Phonetic Change
涂光社1
作者信息
摘要
楚辞是战国时出现、卓然有别于《诗经》的文学样式,它推动了中国古代文学语言的发展进步,自汉代起辞赋等文体产生流变皆与此关联.南北朝理论大家刘勰用似乎不经意的"楚辞辞楚"四字(可谓本文的关键词)点明中国古代文学语言发展进程中的一个节点,宣示华夏民族文学语言演进包容开放方面的重要特征.
Abstract
Songs of Chu arising in the Warring States period has a sort of literary style different from The Book of Songs,and propelled the development of ancient Chinese literary language,to what the growth of Cifu and other literary styles are related since the Han Dynasty.Liu Xie,a great literary theorist in North and South Dynasties,said as if casually in a few words which called"Songs of Chu leaving Chu",but pointed out a node in the development of ancient Chinese literary language,and demonstrated the important features of the evolution of the Chinese literary language in terms of inclusiveness and openness.
关键词
刘勰/《文心雕龙》/楚辞辞楚/文学语言Key words
Liu Xie/The Literary Mind and the Carving of Dragons/Songs of Chu leaving Chu/literary language引用本文复制引用
出版年
2024
NETL
NSTL
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