六朝"乐喻批评"探赜——以《文心雕龙》为中心
Exploration of Critical Approaches to Using Music as a Metaphor for Literature in the Six Dynasties:Centered on Wen Xin Diao Long
王婧 1高文强1
作者信息
摘要
六朝时期,文学观念与音乐思想互动、融合,形成了独具特色的"乐喻批评"方法,即以乐理为喻来阐发文学理论之问题.这一批评方法在《文心雕龙》中体现得最为集中和典型,按所喻之理的内容和特点划分,其乐喻批评大致可分为喻"文"、喻"质"和喻"品"三种类型,即所喻之理涉及文学形式、文学内容和文章品评.这一方法于《淮南子》中萌芽,从曹丕开始走向自觉,并于六朝时期被广泛运用.究其成因,则与音乐和文学之理的内在融通及以刘勰为代表的六朝文人"文乐并重"之特点密不可分.
Abstract
During the Six Dynasties period,literary concepts and musical ideas interacted and integrated,forming a unique method of using music as a metaphor for literature,which used music theory as a metaphor to elucidate literary theory issues.This criticism method is most concentrated and typical in Wen Xin Diao Long.According to the content and characteristics of the metaphorical reasoning,its music metaphor criticism can be roughly divided into three types and the metaphorical reasoning involves literary form,literary content,and article evaluation.This method sprouted in Huai Nan Zi and began to move towards consciousness from Cao Pi,and was widely used during the Six Dynasties period.The cause of its formation is closely related to the inherent integration of music and literary principles,as well as the characteristic of"equal emphasis on literature and music"among the literati of the Six Dynasties,represented by Liu Xie.
关键词
音乐/比喻/批评方法/《文心雕龙》Key words
music/analogy/critical approaches/Wen Xin Diao Long引用本文复制引用
基金项目
国家社会科学基金一般项目(22BZW061)
华东师范大学文化传承创新研究专项(2022ECNU-WHCCYJ-23)
出版年
2024
NETL
NSTL
万方数据