刘勰"摹极写真"说的理论内涵及其深层肌理
The Theoretical Connotation and Deep Texture of Liu Xie's"Writing Reality for Extreme Imitation"
黄诚祯1
作者信息
摘要
《文心雕龙·夸饰》篇提出的"摹极写真"说具有丰富的理论内涵."写气图貌"典型地反映了刘勰对于摹写外在物象与抒写内在情感的基本途径.而在刘勰的文论体系中,除了"写貌"与"写气"这两种描写类型之外,尚有"写真"的抒写要求.从"写貌"到"写气"再到"写真",构成了从追求形似到臻于神似的逐级上升的写作体系.刘勰的"摹极写真"说植根于深厚的中国传统文化土壤,以"写真"为手段,以"摹极"为目的,以"心物互观"为核心要义,具有"以道观物"与"以物观道"的双重肌理.
Abstract
The theory of"writing reality for extreme imitation"proposed in the Kua Shi of Wen Xin Diao Long has rich theoretical connotations."Writing appearance with Qi"typical reflection of Liu Xie's basic approach to depicting external objects and expressing internal emotions.In Liu Xie's literary theory system,in addition to the two types of descriptions of"writing appearance"and"writing Qi",there is also a requirement for"writing reality".From"writing appearance"to"writing Qi"and then to"writing reality",it constitutes a writing system that gradually rises from pursuing similarity to achieving divine similarity.Liu Xie's theory of"writing reality for extreme imitation"is rooted in the profound soil of traditional Chinese culture,using"writing reality"as a means,"extreme imitation"as the purpose,and"mutual observation of mind and matter"as the core essence.It has a dual texture of"observing things through Taoism"and"observing Taoism through things".
关键词
《文心雕龙》/写气/写貌/写真/摹极写真/心物互观Key words
Wen Xin Diao Long/writing Qi/writing appearance/writing reality/writing reality for extreme imitation/mutual observation of mind and matter引用本文复制引用
出版年
2024
NETL
NSTL
万方数据