制赞作图:再探南宋马麟《道统圣贤图》的制作脉络

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中文摘要：宋理宗在淳祐元年(1241)正月"幸太学、谒孔子",将所作《道统十三赞》赐国子监以宣示诸生,至今刻石仍存.南宋画家马麟所作《伏羲》因有宋理宗《道统十三赞》序与赞文,向被视为相关创作,与《尧》《禹》《汤》《武王》等共五轴均现存台北故宫博物院,又合称为《道统圣贤图》.马麟《道统圣贤图》虽是宋理宗《道统十三赞》的延伸物,但二者是否属于同一使用脉络?何以刻成碑石的《道统十三赞》并无马麟配图,而马麟《道统圣贤图》于清宫旧藏则系南薰殿图像之一?石守谦曾从劝戒图绘传统分析此套画作,已能说明马麟《道统圣贤图》并非帝王神御画像.不过,马麟各轴计有宋理宗道统赞文,这类圣贤图绘究竟有何意义与作用?本文就此企图重新解析此套图作的制作脉络.文中将透过视觉分析,并举出其与《孔子与七十二弟子》石刻之相似造型,阐述《道统圣贤图》所显示出的"士人化"趋向.再由宋理宗营造缉熙殿之脉络,思考其与经筵讲殿空间的可能关联,指出《道统圣贤图》堪称为此后考察儒教艺术的重要例证.

外文标题：The Context of Southern-Song Painter Ma Lin Creating his'Rulers and Sages in Confucian Orthodoxy'Reconsidered

外文摘要：While visiting the Imperial Academy to pay his respect to Confucius,Emperor Lizong(理宗)of the Song Dynasty granted his work of'Thirteen Praises of the Confucian Orthodoxy'(Dào Tǒng Shí Sān Zàn in Chinese pinyin)to the Guozijian Imperial Academy for instruction to the students,the text of stone-carving surviving there.The'Fu Xi'(Fu Xī in Chinese pinyin)by Ma Lin,a Court Painter of the Southern-Song Dynasty,is always thought as the work closely linked with the mentioned for its preface and praises cited from'Thirteen Praises of the Confucian Orthodoxy'.The masterpieces of'Fu Xi'along with'Emperor Yao''Emperor Yu''Emperor Tang''Emperor Wu'of the Taipei Palace Museum are collectively known as the'Rulers and Sages in Confucian Orthodoxy'(Dào Tǒng Shèng Xián Tú in Chinese pinyin).This thesis examines the relationship between Emperor Song Lizong's'Thirteen Praises of the Confucian Orthodoxy'(Dào Tǒng Shí Sān Zàn)and Ma Lin's'Rulers and Sages in Confucian Orthodoxy'(Dào Tǒng Shèng Xián Tú)aiming to work out the debates whether they are created in the shared context and that Ma Lin's illustration is absent from the engraved'Thirteen Praises of the Confucian Orthodoxy'although it is taken as its extension.The visual analysis reveals a notable trend of'literati-like'aesthetics in Ma Lin's work,particularly embodied by the shared gestures of the figures in the stone carving of'Confucian and His 72 Disciples'(Kǒng Zǐ Yǔ Qī Shí Èr Dì Zǐ in Chinese pinyin).Ma Lin's works present in Emperor Song Lizong's Jixi Hall probably serves as the mottoes of virtue in function.Therefore,the'Rulers and Sages in Confucian Orthodoxy'should be ranked among the classical works on Confucian art.

外文关键词：

Emperor Song Lizong(理宗)'Thirteen Praises of the Confucian Orthodoxy'(Dào Tǒng Shí Sān Zàn)Ma Lin's'Rulers and Sages in Confucian Orthodoxy'(Dào Tǒng Shèng Xián Tú)'Confucian and His 72 Disciples'of stone carvingJixi Hall

作者：

陈韵如

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作者单位：

台湾大学艺术史研究所

关键词：

宋理宗《道统十三赞》马麟道统图孔子与七十二弟子石刻缉熙殿

出版年：

2024

故宫博物院院刊

故宫博物院

故宫博物院院刊

CSSCICHSSCD北大核心

影响因子：0.345

ISSN：0452-7402

年,卷(期)：2024.261(1)

参考文献量68