首页|圣王、高士与神仙:南朝陵墓拼砌砖画的布局与意义

圣王、高士与神仙:南朝陵墓拼砌砖画的布局与意义

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至迟在南朝萧齐时期,形成了陵墓拼砌砖画的完整形制,并且至少在萧梁时得到沿用.墓壁后部的"竹林七贤与荣启期",如同屏风围绕在墓主周围,借这些"不宾之士",强调帝王"明王圣主"的品质和追求,是南朝特有的政治文化和观念的反映.墓壁其他部分为由龙虎引导的上层"天人"和下层仪仗出行的组合,总体上以仪仗卤簿表达墓主身份并以升仙为目的,由于墓室空间的限制,这一部分被挤压而显得布局奇特.透过对南北朝陵墓和墓葬图像的对比观察,或许有助于墓葬文化研究的深入推进.
Monarch,Sages and Immortals:The Arrangement and Significance of the Southern-dynasty Tombs'Stamped-Bricks
The pattern-stamped bricks used in tombs has got completely regularized and systemized in shape and size by the Xiaoqi period and kept in use through Xiaoliang period of the Southern dynasties.The assemblage of patterned-bricks make the illustration of'Seven Sages of the Bamboo Grove and Rong Qiqi'on the back wall of the tomb-chamber as a screen surrounding the tomb master,which implies that the monarch is wise and saint with lofty qualities and pursuits,meanwhile represents the Southern dynasties in history,culture and ideology this way.The rest walls of the chamber-tomb are illustrated with the'immortals'guided by dragons and tigers above with the ceremonial procession below,which symbolizes the tomb-master's status and his wish to become immortal after death.The presentation of the ceremonial procession looks pressed in composition due to the limited spacial chamber.

Southern Dynastytombspattern-stamped brick paintings,layout,significance

王煜

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四川大学考古文博学院

南朝 陵墓 拼砌砖画 布局 意义

2021年度国家社科基金重点项目

21AKG009

2024

故宫博物院院刊
故宫博物院

故宫博物院院刊

CSSCICHSSCD北大核心
影响因子:0.345
ISSN:0452-7402
年,卷(期):2024.262(2)
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