首页|赴日清人书法与江户时代日本对中国书法的接受

赴日清人书法与江户时代日本对中国书法的接受

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江户时代日本推崇儒学,涌现出一批喜好汉文化的文人.在书法领域,相对于"和样"书法,日本人对具有中国书法特征的"唐样"书风更加青睐.由于江户日本实行闭关锁国政策,每年定期赴日的仅有前往长崎贸易的清代商船船主、乘员等,其中不乏精通书法者.部分日本文人为了得到善书者墨迹,专门造访长崎,请教书法知识.这些书法最能展示当时中国书法的真实面貌,称得上是学习"唐样"书风的首选.
The Qing Calligraphers'Works in Japan and The Japanese Admiring Chinese Calligraphy in Edo Period
The Japanese people held Confucianism in high esteem during the Edo period,with a lot of literati fond of the Chinese-Han culture springing up.They favored the'Tangyang'(Karayou-sho)with Chinese calligraphic features over the'Heyang'(Wayou-sho)in style.Japan's closed-door policy during the Edo period led to the limited people coming from the Qing Dynasty merely except the regularly-visiting merchant cargoes with their owners and crew to Nagasaki.Among them are calligraphers,who attracted many a Japanese literati to pay a special visit to Nagasaki for their works and learning calligraphic knowledge from them.Their works as the model of the Chinese calligraphy of that time deserved the best of the'Tangyang'.

the Edo Period'Tangyang'(Karayou-sho)the owner of the Tang vesselendorsementSino-Japanese calligraphy exchange

松浦章、许浩

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郑州大学外国语与国际关系学院

日本关西大学

江户时代 "唐样"书风 唐船船主 接受 中日书法交流

2024

故宫博物院院刊
故宫博物院

故宫博物院院刊

CSSCICHSSCD北大核心
影响因子:0.345
ISSN:0452-7402
年,卷(期):2024.266(6)
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