首页|关中本《争座位帖》的早拓本、精拓本和涂描本

关中本《争座位帖》的早拓本、精拓本和涂描本

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关中本《争座位帖》由于摹刻精好,传世拓本众多,故很有必要对这些拓本之时代进行甄别.本文从存世的三本"出"字未损本入手,对关中本《争座位帖》的历代拓本进行排列、比对,辨析前人记录不一致的考据字,尝试厘清历代拓本的考据特征.明清之际,基于关中本帖石的笔画基本保存完好,人们运用浓墨精细的拓法来得到艺术价值不逊于宋拓的精拓本.与此同时,也有人在捶拓时将关中本早期的考据字进行涂描,将拓本充作早期的宋、明旧拓,在涂描过程中,有的还运用了精拓本的拓法,因此进一步增加了对关中本的鉴别难度.
The Guanzhong-Modeled Calligraphy Rubbings of'Contending for the Seat of Honor'Periodized into Early,Fine and Ink-Refilled Copies
ABSTRACT:This thesis starts with the intact character of'出'in three different versions to periodize the Guanzhong-modeled calligraphy rubbings of'Contending for the Seat of Honor'(争座位帖)into Early,Fine,Ink-Refilled Copies in chronological sequence.The people of the Ming and Qing dynasties applied dense ink and delicate techniques to the making of rubbing based on the Guanzhong-modeled rubbing-stone bearing the clear strokes of characters,and artistically attained as much as the fine works of the Song Dynasty.The ink-refilled rubbings were made to pass off as the earlier ones of the Song and Ming dynasties.A third is the fine copy that employs the process with tracing and rubbing.

the Guanzhong-modeled Rubbing of'Contending for the Seat of Honor'intact character of'出'the Xihongtang-modeledfine rubbingsink-refilling

王祎

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故宫博物院书画部

关中本 "出"字未损 戏鸿堂本 精拓 涂描

2023年度国家社会科学基金艺术学重大项目

23ZD12

2024

故宫博物院院刊
故宫博物院

故宫博物院院刊

CSSCICHSSCD北大核心
影响因子:0.345
ISSN:0452-7402
年,卷(期):2024.267(7)