首页|乾隆朝《缂丝无量寿尊佛》轴考——以图像源流及功用为中心

乾隆朝《缂丝无量寿尊佛》轴考——以图像源流及功用为中心

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故宫博物院及世界许多文博机构中,收藏有一组图像学上联系紧密的《缂丝无量寿尊佛》轴.本文通过钩沉历史文献及清宫档案,从图像来源、制作功用等方面全面梳理了这组文物的源流,识别其图像分为繁、简两本,简本直接来源于清代宫廷藏卢楞迦款《无量寿佛像》轴,繁本为乾隆十九年平定准噶尔部达瓦齐后修建普宁寺所特意创作,是新疆进入祖国大一统历史进程的珍贵见证.
A Textual Research of Qianlong Reign's'Buddha Amitayus in Kesi Tapestry'in Hanging Scroll on the Sources and Function of Images
The Palace Museum and many other cultural and museum institutions around the world have collected a group of artistic works titled'Buddha Amitayus in Kesi Tapestry'(《缂丝无量寿尊佛》)scrolls that are closely related in iconography.This article traces the image sources and functions by historical documents and Qing palace archives.It confirms that the images are composed of complicated and simplified versions.The simplified version is directly based on the Qing Court collected image of'Amitayus Buddha'with the signature of Painter Lu Lengjia(Tang Dynasty,act.ca.730-760),whereas the complicated version was specially created for the construction of Puning Temple after the Dzungars was pacified in the 19th year of Qianlong's reign(1754).They bear precious witness to the historical process of Xinjiang entering the national unification.

Buddha AmitayusSecret Hall and Pearl Forest(《秘殿珠林》)Puning Temple(the Temple of Universal Peace)Kesi

王跃工、马晟楠

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故宫博物院

故宫博物院文物管理处

无量寿佛 《秘殿珠林》 普宁寺 缂丝

2024

故宫博物院院刊
故宫博物院

故宫博物院院刊

CSSCICHSSCD北大核心
影响因子:0.345
ISSN:0452-7402
年,卷(期):2024.269(9)