首页|赖声川《镜花水月》:复仇叙事、生命关怀与家乡寻根

赖声川《镜花水月》:复仇叙事、生命关怀与家乡寻根

Stan Lai's Flower in the Mirror,Moon in the Water:Revenge Narration,Life Care,and Root-seeking in Hometown

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《镜花水月》是赖声川取材于家乡会昌,为会昌创作的戏剧.戏剧在复仇叙事的框架内呈现了一个家族三代女性的生命故事.该剧延续了赖声川以往戏剧创作的特点及风格,比如佛禅思想的基础,对现代人的生命和心灵关怀,多层次的叙事手法和注重空间利用的剧场设计等;但是也有新的元素呈现,包括会昌人文地理空间的艺术处理与家乡寻根意识.继上海、乌镇之后,会昌成为又一个为赖声川提供重要素材和创作灵感的地域空间.
Flower in the Mirror,Moon in the Water is one play created by Stan Lai,it was based on his hometown of Huichang.The play presents the life story of three generations of women in a family within the narrative framework of re-venge.The play continues some of the characteristics and styles of Stan Lai's previous theatrical creations,such as the founda-tion of Buddhist and Zen thought,concerning modern people's lives and souls,multi-level narrative techniques,and theater de-sign that emphasizes spatial utilization.However,there are also new elements,including the artistic treatment of Huichang's humanistic geographical space and the awareness of Family root seeking.Following Shanghai and Wuzhen,Huichang becomes another regional space that provides important materials and creative inspiration for Stan Lai's theatrical creation.

Flower in the Mirror,Moon in the Waterrevenge narrationlife careroot-seeking in hometown

胡明华

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曲阜师范大学 文学院,山东 曲阜 273165

《镜花水月》 复仇叙事 生命关怀 家乡寻根

2024

赣南师范大学学报
赣南师范学院

赣南师范大学学报

CHSSCD
影响因子:0.297
ISSN:1004-8332
年,卷(期):2024.45(5)