摘要
蔡邕的文学观念与他的人生经历,以及时代相一致,反映出东汉晚期各种社会因素的变化.蔡邕早期笃嗜儒学学说,执意维护经学与文学观念的正统性,但经历了各种磨难后,文学观念发生变化,形成了发愤著书与抒写真情的文学观念.他的碑志文写作也折射出文学审美观念的渐变.研究蔡邕与汉魏文学观念的嬗变,有助于拓展蔡邕研究的领域,深化汉魏六朝文学演变的研究.
Abstract
Cai Yong's literary views were closely aligned with his life experiences and the era in which he lived,reflecting the changes in various social factors during the late Eastern Han Dynasty.In his early years,Cai Yong was deeply committed to Confucian teachings and was determined to uphold the orthodoxy of classical studies and literary principles.However,after undergoing numerous hardships,his literary perspectives shifted,leading to the development of a philosophy that emphasized writing out of frustration and expressing genuine emotions.His inscriptions and epigraphic works also reflect a gradual evolution in his aesthetic views on literature.Examining the transformation of Cai Yong's literary concepts,alongside the broader shifts in literary thought during the Han-Wei transition,contributes to expanding the scope of Cai Yong research and deepening our understanding of the literary evolution during the Han,Wei,and Six Dynasties periods.
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