首页|艺术作为启蒙、见证与救赎——阿多诺美学理论重审

艺术作为启蒙、见证与救赎——阿多诺美学理论重审

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阿多诺美学理论研究在阿多诺研究中至关重要.阿多诺的美学理论不仅贯穿其学术生涯,也对他的哲学研究产生了重要影响.作为启蒙反思的产物,阿多诺的美学思想将艺术视为新的启蒙形式并承载起重振美学的重任.通过对艺术理性、艺术社会性以及艺术真理性内容等理念的阐释,阿多诺在赋予艺术再现苦难、批判社会以及认识社会等功能的同时,也揭示了艺术见证的根源与秘密.阿多诺美学思想的理论与现实意义在于:一方面,作为一种认知型美学观,阿多诺的美学思想在接续并发展亚里士多德悲剧快感说的基础上实现了对近代学科意义上的美学观的突破与超越,标示了阿多诺有关后奥斯维辛时期文艺观的渐进式转变;另一方面,通过对艺术见证与再现社会苦难,以及审美移情的强调,阿多诺赋予了艺术启蒙与救赎的重任.鉴于阿多诺对实践的怀疑,他有关艺术作为启蒙、见证与救赎的美学思想注定只是一种理论设想.
Art as Enlightenment,Witness and Redemption:Adorno's Aesthetic Theory Revisited
The study of Adorno's aesthetic theory is crucial in Adorno studies.Adorno's aesthetic theory not only runs through his academic career,but also has a significant impact on his philosophical research.As a product of Enlightenment reflection,Adorno's aesthetic thought regards art as a new form of Enlightenment and carries the responsibility of revitalizing aesthetics.Through the interpretation of the concepts of artistic rationality,artistic sociality,and through conceptual explanations such as artistic ra-tionality,artistic sociality,and artistic truth content,Adorno endowed art with functions such as reprodu-cing suffering,criticizing society,and recognizing society,while also revealing the roots and secrets of artistic witness.The theoretical and practical significance of Adorno's aesthetic thought lies in the follow-ing:on the one hand,as a cognitive view of aesthetics,Adorno's aesthetic thought realizes a break-through and transcends the modern disciplinary view of aesthetics on the basis of the continuation and de-velopment of Aristotle's theory of the pleasure of tragedy,and marks the gradual transformation of Ador-no's view of art and literature in the post-Auschwitz period;on the other hand,through the emphasis on art's witnessing and reproducing of social suffering,as well as aesthetic empathy,Adorno gave art the heavy responsibility of enlightenment and redemption.In view of Adorno's suspicion of practice,his aes-thetic thought about art as enlightenment,witness and redemption is destined to be only a theoretical as-sumption.

AdornoCritique of instrumental rationalityartistic rationalitytruth content

赵雪梅

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广州大学人文学院,广东广州 510006

阿多诺 工具理性批判 艺术理性 真理性内容

国家留学基金委项目

202208440211

2024

广州大学学报(社会科学版)
广州大学

广州大学学报(社会科学版)

CSSCICHSSCD
影响因子:0.363
ISSN:1671-394X
年,卷(期):2024.23(1)
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