首页|主体·时间·空间:新媒介文艺生成性研究

主体·时间·空间:新媒介文艺生成性研究

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为进一步揭示新媒介文艺生产的深层媒介逻辑及社会历史语境,新媒介文艺生成性研究引入德勒兹的"生成"理论,通过将"生成"作为新媒介文艺的技术意向,开展对构成新媒介文艺生产域中作为基础锚点的主体、时间、空间的生成性探索.新媒介文艺生成性研究发现:新媒介的内在生成性偏向,使新媒介文艺生产域中的主体生成为人机间性主体,形成人机协作式生产;使时间生成为结晶化的星丛时间,引发时间生产力的增强、中间时间的开发、时间深度意识的退场;使游牧空间通过对物理空间的征服、差异空间的生产以及异质空间的创造实现空间生产力的增殖,为跨媒介叙事提供实践场所.
Subject,Time and Space:A Study of the Becoming of New Media Literature and Art
In order to further reveal the socio-historical context of new media literary production and its technical logic,Deleuze's theory of"Becoming"is used as a starting point for the study of the inten-tional structure of new media technologies and for exploring the subject,time and space that constitute the basic anchor points of the domain of new media literary production.The new media literary"becom-ing"reveals three aspects.Firstly,the subjects in the new media literary production domain have become intersubjectivity of human-computer,forming a collaborative human-computer production.Secondly,time is born as constellation time and discussed in terms of the enhancement of time productivity,the develop-ment of in-between time,and the exit of time depth consciousness.Thirdly,nomadic space proliferates spatial productivity through the conquest of physical space,the fusion of different spaces and the creation of heterogeneous spaces,providing a practice site for technological art and transmedia storytelling.

Becomingintersubjectivity of human-computerconstellation timenomadic space

别君华

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杭州师范大学文化创意与传媒学院,浙江杭州 311121

生成 人机间性主体 星丛时间 游牧空间

2024

广州大学学报(社会科学版)
广州大学

广州大学学报(社会科学版)

CSSCICHSSCD
影响因子:0.363
ISSN:1671-394X
年,卷(期):2024.23(1)
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