The discussion of landscape in contemporary Chinese cinema is often carried out from the aesthetic artistic conception level of"expressing feelings on the landscape",which obviously fails to ad-dress the cultural practice,visual criticism and other aspects of landscape.The analysis of"landscape and film"at different levels found that a certain research system has not yet formed.It undertakes multi-ple discourse practices in contemporary Chinese films.The scenery in the image is not only the presenta-tion of"things",but also the direction of"words".There are three interpretations of landscape in contem-porary films and their interactive relationships:as a"word",the landscape is intended to explore the rela-tionship between the image itself and the subject metaphor from the perspective of the"scene"endowed with the subjective consciousness,symbolic meaning,and material characteristics of"primordial Earth";as the scenery of"objects",the connection between man and the"world"is confirmed by outlining the im-age of"appliances-real"objects;finally,the"truth-scenery",which transcends"words and things",en-dows"catalyst"to"I"and"world",which is"open context"and imaginative signifier.The landscape spreads over the image expression and cultural interrogation beyond"words"and"objects"in the two-way dimension of the limited screen frame and the infinite extended space.
关键词
风景/词与物/中国当代电影/景观
Key words
medium landscape/words and objects/contemporary Chinese film/landscape
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