从影像索引到象征系统:符号学纪实理论探赜
From Index to Symbol:An Exploration of Cinematic Realism in Film Semiotics
沈钰扉1
作者信息
- 1. 北京大学 艺术学院,北京 100871
- 折叠
摘要
长久以来,以巴赞、克拉考尔为代表的纪实观念基本垄断了学界对于电影纪实理论的理解,而电影纪实的实践则常被限定于纪录片或逼真摹写现实的影片类型当中.事实上,纪实学派之后的结构主义思潮以及符号学并未放弃对电影纪实魔力的理论重释,其惯例系统、幻觉、想象等概念也大都渊源有自.经由米特里、第一符号学乃至第二符号学的改造,电影纪实性观念不断突破早期的概念边界,随技术、思潮之代序而变迁,与不断更新的电影现象相适配.探究该时期影像纪实理论之内核,可以揭示其潜在的思想流变,暴露其局限,补足我们对这段"折跃"式影像纪实观念的理解的缺失.
Abstract
The theory of cinematic realism has long been bound to the judgment by Bazin and Kra-cauer,while the practice of cinematic realism is often classified into documentary films and narrative films that faithfully depict reality.In fact,the structuralist and semiotic trends that emerged after the re-alism school did not abandon the re-interpretation of the magic of cinematic realism.Concepts such as convention systems,illusion,and imagination are not separate endeavors but rather a continuation of the exploration.Through the transformations brought about by Jean Mitry,Christian Metz and film semiotics,the concept boundaries of early cinematic realism have been continuously surpassed,adapting to changing technologies,trends,and newer cinematic phenomena.Exploring the inner core of cinematic realism the-ory during this period reveals the evolution of its underlying ideas,exposes its limitations,and fills in the gaps in the conceptual understanding of this "leap"in cinematic realism.
关键词
纪实性/让·米特里/克里斯蒂安·麦茨/电影符号学/实在界Key words
realism/Christian Metz/Jean Mitry/film semiotics/the real引用本文复制引用
出版年
2024
NETL
NSTL
万方数据