首页|作为行动的诗学:"模仿论"重释

作为行动的诗学:"模仿论"重释

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以柏拉图为前驱的西方哲学/诗学传统开创了一种基于认识者视域的知识论哲学/诗学范型.这种思想范型的语言论基础,即"模仿论"所体现的思维混乱与指称错位.艺术"模仿"并非镜像式的映射,而是创制性的行动."模仿论"的误识,对存在的行动属性以及文学的创制属性构成了遮蔽.行动意味着"关系"的持续建构-重构,意味着"关系"的持续发生.由于"关系"笼罩了一切,行动就必然体现为一元性的过程和双重性的环节.行动是一元性与双重性的纠结,是语言和时间的交织.在文学行动中,世界呈现为一个差异错置的互文性体系,主体被形塑为一种"关系千万重"的多重主体,历史被创构为一种典范秩序/失序的层垒叠加史.所有这一切,都为一种新的哲学/诗学范型或文明论想象提供了线索与可能.
Poetics as Action:Reinterpretation of the "Theory of Mimesis"
The Western philosophical/poetic tradition,with Plato as the precursor,has created an epistemological philosophy/poetic paradigm based on the perspective of the knower.The linguistic foun-dation of this paradigm,namely the "theory of mimesis",embodies conceptual confusion and referential displacement.Artistic "mimesis"is not a mirror-like reflection but a creative action.The misrecognition of the"theory of mimesis"obscures the action attribute of existence and the creative attribute of literature.Action means the continuous construction and reconstruction of"relationships,"and implies the continu-ous occurrence of"relationships."Since "relationships"encompass everything,action inevitably manifests as a monistic process and a dualistic link.Action is the entanglement of unity and duality,and the inter-weaving of language and time.In literary action,the world is presented as a system of intertextuality with displaced differences,the subject is shaped into a multi-subject with "thousands of millions of relation-ships,"and history is constructed as a layered accumulation of paradigmatic order/disorder.All of these provide clues and possibilities for a new philosophical/poetic paradigm or a civilizational imagination.

Platotheory of mimesisliterary actionrelational ontology

戴登云

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广州大学 人文学院,广东 广州 510006

柏拉图 模仿论 文学行动 关系本体论

广东省哲学社会科学规划项目

GD24CZW05

2024

广州大学学报(社会科学版)
广州大学

广州大学学报(社会科学版)

CSSCICHSSCD
影响因子:0.363
ISSN:1671-394X
年,卷(期):2024.23(5)