首页|多元面相与都市"怪物":论柴纳·米耶维的都市"新怪谭"

多元面相与都市"怪物":论柴纳·米耶维的都市"新怪谭"

扫码查看
英国作家柴纳·米耶维是当代科幻"新怪谭"潮流中最重要的作家之一.在米耶维的《鼠王》《伪伦敦》《新巴黎的最后时光》等作品中,作者或想象了伦敦的鼠族等非人族群,或描绘了由被弃之物构成的"伪伦敦",或展示了在巴黎获得生命的"超现实主义艺术"中的"怪物".由此,米耶维展现了怪诞可怖的都市面貌,展示了被隔离在人类的认知之外却又无处不在的"怪物他者",破除了人类对城市的绝对占有式的、否弃多面性的观念,也迫使人们直面和承认内生的他者.同时,作品又赋予了这一多元混杂的都会以某种合法性,给予被科学和艺术等所催化出的怪物以生命——这些不被接受的怪物,往往与真正的"恶"进行着对抗.由此,米耶维提供了对多元都市面相的新奇审美体验,并否弃了托尔金式的作品中逃避现实的"抚慰"意味,强调通过对"多面世界""怪物他者"的书写,来观照甚至改变现实,达成某种乌托邦理想.
Multiple Faces and Urban "Monsters":On China Miéville's Urban "New Weird Tales"
China Miéville,a British author,is one of the most important writers of the"New Weird Tales"of contemporary science fiction.In Miéville's works such as King Rat,Un Lun Dun,and The Last Days ofNew Paris,he imagines non-human groups like the rat tribe of London,depicts the"pseudo-London"composed of discarded objects,and showcases "monsters"from "surrealist art"coming to life in Paris.Through these narratives,Miéville presents a grotesque and terrifying urban landscape,revealing"monstrous others"that exist beyond human cognition yet are omnipresent.This breaks the notion of hu-man exclusive possession of the city and its rejection of multiplicity,forcing people to face and acknowl-edge the intrinsic others.At the same time,Miéville legitimizes this diverse and hybrid metropolis,gran-ting life to the monsters catalyzed by science and art—monsters often fighting against the real "evil".In this way,Miéville provides a novel aesthetic experience of the multifaceted urban visage and rejects the escapist "comforting"means found in Tolkien's works,emphasizing the writing of"multifaceted world"and "monstrous others"to observe and even change reality and achieve a certain utopian ideal.

China Miévillescience fictionnew weird talesKing RatUn Lun DunThe Last Days ofNew Paris

王一平、温馨

展开 >

四川大学 文学与新闻学院,四川 成都 610207

柴纳·米耶维 科幻 怪谭 《鼠王》 《伪伦敦》 《新巴黎的最后时光》

国家社会科学基金项目

18CWW022

2024

广州大学学报(社会科学版)
广州大学

广州大学学报(社会科学版)

CSSCICHSSCD
影响因子:0.363
ISSN:1671-394X
年,卷(期):2024.23(5)