首页|宋代美学研究的转型:观念、视域、路径

宋代美学研究的转型:观念、视域、路径

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宋代美学研究正在三大范式基础上转型.宋代美学转型有三大动因:由五代到两宋变动着的多元中华圈,宋代新生的都市大众文化,宋代出现的新型士人群体.宋代美学以士人为主体,士人美学有三大方面特别耀眼:在都市的士大夫群体中产生了士人庭院之高雅艺术体系;士人中的重文群体,在与朝廷画院的互动中,产生了文人画的艺术哲学;士人中未能获得科举功名的群体,在流向社会各阶层的过程中,一部分进入并发展了都市表演美学体系.若用陈寅恪的宋代文化"造极"观看宋代美学的转型,宋词作为造极的核心,具有影响宋代美学研究转型的带动作用.
The Transformation of Aesthetics Research in the Song Dynasty:Concepts,Horizons,and Approaches
The studies of aesthetic in Song Dynasty is undergoing transformation based on three par-adigms.There are three major driving forces for the transformation of Song-Dynasty aesthetics:the chan-ging multi-ethnic Chinese circle from the Five Dynasties to the Song Dynasty,the newly-emerged urban mass culture in the Song Dynasty,and the new type of scholar-gentry group that emerged during the Song Dynasty.The aesthetics of the Song Dynasty was mainly centered around the scholar-gentry.The aesthet-ics of the scholar-gentry has three particularly remarkable aspects.First,among the urban scholar-offi-cials,an elegant art system of scholar-gentry courtyards emerged.Second,the group of scholar-gentry who emphasized literature,through interaction with the imperial painting academy,developed the art phi-losophy of literati painting.Third,among the scholar-gentry who failed to obtain imperial examination de-grees,some of them,as they spread to various social strata,entered and developed the urban performing aesthetics system.If we view the transformation of Song-Dynasty aesthetics from the perspective of Chen Yinque's view of the Song-dynasty culture reaching its"pinnacle",Song-Dynasty Ci,as the core of this"pinnacle",has a leading role in influencing the transformation of Song-Dynasty aesthetics research.

transformation of aesthetics in the Song Dynastymulti-dimensional scholar-gentry groupscholar-gentry aestheticsSong Dynasty Ci

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四川大学文学与新闻学院,四川成都 610207

宋代美学转型 多维士人群体 士人美学 宋词

2025

广州大学学报(社会科学版)
广州大学

广州大学学报(社会科学版)

影响因子:0.363
ISSN:1671-394X
年,卷(期):2025.24(1)