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王蒙与19世纪俄国文学

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王蒙常常谈及19世纪俄国文学,但却多有隔阂和误解.究其原因,盖在于他的过于理性的考量和价值观错位,而缺乏对19世纪俄国文学的情感认同和价值观上的理解.他的《十字架上》是在信仰层面展开的与19世纪俄国伟大作家的对话,但却反映着彼此之间精神上的隔膜和捍格.王蒙之所以会在最新的作品中认同关于19世纪俄国文学"病态"的观点,是因为,即便到了垂暮之年,他仍然是托尔斯泰们精神上的"异路人".
Wang Meng and 19th Century Russian Literature
Wang Meng often talks about 19th century Russian literature,but there are many misun-derstandings and estrangements.The reason for this is that his rational considerations and values are mis-aligned.He lacks emotional identification and value understanding of 19th century Russian literature.His"Crucifixion"is a dialogue with the great writers of 19th century Russia on the level of faith,but it re-flects the spiritual alienation and dissonance between them.Wang Meng's latest works identify the"path-ological"view of 19th century Russian literature because,even in his old age,he is still a spiritual"out-sider"to Tolstoy and others.

Wang Meng19th century Russian literatureunderstandingmisreadingisolation

李建军

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中国社会科学院文学所,北京 100000

王蒙 19世纪俄国文学 理解 误读 隔膜

2025

广州大学学报(社会科学版)
广州大学

广州大学学报(社会科学版)

影响因子:0.363
ISSN:1671-394X
年,卷(期):2025.24(1)