On the Gracefulness Paths of Zhou Bangyan's Lyrics under the Stylistics Perspective
Under the stylistic perspective we conduct a study on the gracefulness paths of Zhou Bangyan's lyrics.The study indicates that his lyrics displace a vari-ety of collective styles,his important gracefulness paths being"poems as lyrics","odes as lyrics",and"novels as lyrics"and things alike.While ab-sorbing the features from others,his lyrics attach importance to"the ontolog-ical features of lyrics",resulting in the gracefulness of lyrics,specifically,a nice combination of"emotions"and"things",expressing emotions while"not confined to emotions",and"resorting to things while not used by things".In this way the lyrics gracefulness embodies the inherent stylistic integration and interaction.Such gracefulness paths started a graceful lyrics creation paradigm for Jiang Kui,a Southern Song Dynasty writer and provid-ed significant implications for the graceful lyrics of the West Zhejiang School and the Changzhou School.
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