首页|文学史书写与中国红色诗歌的经典化问题

文学史书写与中国红色诗歌的经典化问题

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从文学史书写角度梳理近百年中国红色诗歌的经典化进程,剖析其经典塑型模式,具有重要的学术意义和当下价值.总体而言,中国红色诗歌的文学史书写主要出现过三种经典塑型模式,它们历时性地出现,共时性地存在,相互渗透和彼此融会.其一是人民性话语塑型模式,主要兴起并盛行于上世纪50-80年代初期;其二是现代性话语塑型模式,主要兴起并盛行于上世纪80年代后期至新世纪初;其三是民族性话语塑型模式,主要在进入新世纪以来兴起并流行开来,且目前有方兴未艾之势.在新时代里我们需要实现三种经典塑型模式的话语融合,逐步建立一种兼容现代性与民族性的中国式人民美学话语体系,借此深入推进中国红色文艺(诗歌)的经典化进程.
The Writing of Literary History and the Classicization of Chinese Red Poetry
From the perspective of writing literary history,it is of great academic significance and current value to sort out the canonization process of Chinese red poetry in the past century and analyze its modes of shaping classics.Overall,there have been three patterns of shaping classics in the writing of literary history of Chinese red poetry,which have emerged diachroni-cally,existed synchronously,permeated and integrated with each other.The first is the shaping mode based on the discourse of affinity to the people,which mainly emerged and prevailed from the 1950s to the early 1980s;The second is the shaping mode based on the discourse of modernity,which mainly emerged and prevailed from the late 1980s to the beginning of the 21st century;The third is the shaping mode based on the discourse of nationality,which has mainly emerged and become pop-ular since the 21st century,and is currently in the ascendant.In the new era,we need to achieve discourse integration of three modes of shaping classics and gradually establish a Chinese style aesthetic discourse system that is compatible with mo-dernity and nationality,and thus deepen the classicization process of Chinese red literature and art(poetry).

red poetrycanonizationthe writing of literay historyshaping modes

李遇春

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武汉大学 文学院,湖北武汉 430072

红色诗歌 经典化 文学史书写 塑型模式

国家社会科学基金重大项目

18ZDA263

2024

贵州师范大学学报(社会科学版)
贵州师范大学

贵州师范大学学报(社会科学版)

CHSSCD
影响因子:0.261
ISSN:1001-733X
年,卷(期):2024.(3)
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