拓扑像似与隐喻修辞:山西电影中的民俗意象与地缘文化研究
Topological Iconicity and Metaphorical Rhetoric:A Study of Folk Images and Regional Cultures in Shanxi Films
王立斌 1窦金启1
作者信息
- 1. 山西师范大学 传媒学院, 山西 太原 030000
- 折叠
摘要
电影中的民俗意象承载着独特的地缘文化与民族精神.山西电影中的民俗意象在表现原初性的奇观特质时,还以像似性的符码形态助力于人物形象的塑造,并为人物的行动轨迹建构出独特的民俗情境.并且,媒介重构的民俗仪式不但为观众展现出了地域性的民俗文化,而且还通过仪式叙事传达着人物的观念信仰与情感心境.同时,图像表征中的民族精神借助隐喻修辞从人物的具象行动中升华而出,自此电影实现了艺术性、民族性、人文性的多重建构.
Abstract
Folk images in movies carry distinctive regional cultures and national spirits.In Shanxi films,folk images not only portray the basic qualities of original objects but also employ analogic symbols to enhance character images,and construct distinctive folk contexts for the characters'trajectories.Moreover,the reconstructed folk rituals not only demonstrate regional folk cultures to the audience but also convey the characters'beliefs,emotions and perspectives through the ritual narratives.Meanwhile,the ethnic spirits embodied in images are enhanced from the characters'actions by using metaphors,and the films'artistry,ethnicity and humanity are constructed in multiple ways.
关键词
山西电影/民俗意象/地缘文化/拓扑像似/隐喻Key words
Shanxi film/folk image/regional culture/topological iconicity/metaphor引用本文复制引用
基金项目
山西省哲学社会科学规划项目(2020)(2020YJ061)
出版年
2024
国家科技期刊平台
NSTL
万方数据