摘要
乌来乡泰雅族为改善经济处境而推动的文化观光化运动,将本民族的文化带入到观光凝视和自我展演的复杂情境与脉络中,从而为文化复兴带来新的变量.在观光展演的商业氛围中,原住民的自我认同潜藏着诸多不确定和新的同化危机.
Abstract
In the vicissitudes of modern history,the culture of Ulai Atayal has been subjected to the impact of colonial assimilation and foreign political forces for many times.In the 1980s,after the relaxation of Taiwan's strict laws,the country entered into a multicultural society,with the awakening of indigenous people's self-subject consciousness and the gradual formation of various cultural rehabilitation movements.However,this trend has been accompanied by Taiwan's integration into the global market system and becoming part of global cultural and capital flows.In this con-text,the cultural sight-seeing movement promoted by Taiwan aborigines to improve their economic situation has brought their own culture into the complex situation and context of sight-seeing and self-performance.Thus,it brings new variables for cultural revival.In the commercial atmosphere of tourism exhibition,there are many uncer-tainties and new crisis of assimilation in the self-identity of indigenous people.
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