京腔化戏曲元素在民族声乐曲目中的结合与体现研究——以《醉了千古爱》为例
The Combination and Embodiment of Beijing Style Opera Elements in National Vocal Music——Taking Drunk Love Through the Ages as an Example
丁玥1
作者信息
摘要
《醉了千古爱》是陈道斌作词、栾凯作曲的一首新古典民歌.《醉了千古爱》格调高雅、旋律悦耳、歌词典雅,凸显出浓郁的古典特色,在民族声乐曲目演唱、教学乃至声乐比赛时都是必选的作品.该作品在曲式结构上以京腔化这一戏曲元素改造创新演唱风格,从气息、咬字吐字、润腔与归韵等方面既传承民族音乐,又融合创新了古典艺术的多种方式,形成新的艺术风格.
Abstract
Drunk with Love Through the Ages,a neoclassical folk song written by Chen Daobin and composed by Luan Kai,highlights the strong classical characteristics with elegant style,melodious melody,elegant lyrics.It is a must work in the national music singing,teaching and even vocal music competition.In terms of musical structure,the Beijing-style opera element innovates the sing style in terms of breath,enunciation,moistening cavity and returning rhyme,thus new artistic style is formed by inheriting folk music as well as integrating and innovating classical art.
关键词
京腔化/戏曲元素/民族声乐/《醉了千古爱》Key words
Beijing style/opera elements/national vocal music/Drunk with Love Through the Ages引用本文复制引用
基金项目
2022年度山东省社会科学类横向科研项目(HXKT2022418)
出版年
2024
NETL
NSTL
万方数据