文化自信与文化重构:东西方文化的交流与融合——以滴水兽艺术的传承发展为例
Cultural Self-Confidence and Cultural Reconstruction:The Exchange and Integration of Eastern and Western Cultures——Taking the Inheritance and Development of Gargoyle Art as An Example
张杨 1吴泓璟 1王莉绵1
作者信息
- 1. 泉州师范学院 美术与设计学院,福建 泉州 362000
- 折叠
摘要
闽南建筑中的滴水兽是一种独特的辟邪兽类形象,其见证了清代以来闽南建筑风格的演变,同时也体现了东西方建筑文化的深度交融.对滴水兽的造型进行艺术性的解构,并运用形状文法对其进行再设计,以求创新并设计出符合当代审美的文创产品.通过现代设计手法的二次创作,形成独特的文创产品.通过对滴水兽造型的再设计,探索东西方传统纹样保护与创新的有效途径.同时提出传统文化创新设计的方法,为相关设计人员提供参考.
Abstract
The gargoyle in southern Fujian architecture is a unique animal image that can ward off evil spirits.It has witnessed the evolution of architectural styles since the Qing Dynasty,and also reflects the integration of Eastern and Western architectural cultures.This study will deconstruct the shape of the gargoyle and redesign it using shape grammar methods to create cultural and creative products that conform to contemporary aesthetics.Then through the secondary creation of modern design techniques,unique cultural and creative products are formed.This study is dedicated to exploring effective ways to protect and innovate traditional patterns by redesigning the gargoyle shape.It is hopeful that the methods for innovative design of traditional culture can provide reference for designers.
关键词
滴水兽/形状文法/文创设计/纹样设计Key words
gargoyle/shape grammar/cultural and creative design/pattern design引用本文复制引用
出版年
2024
NETL
NSTL
万方数据