云南青花瓷中的鱼纹饰及其民族文化内涵——以建水窑和玉溪窑为例
The Fish Pattern in Yunnan Blue and White Porcelain and Its National Cultural Connotation——Take Jianshui Kiln and Yuxi Kiln as Examples
冯秀琦 1陈于思2
作者信息
- 1. 云南大学 历史与档案学院,云南 昆明 650091
- 2. 昆明学院 人文学院,云南 昆明 650214
- 折叠
摘要
云南青花瓷中的鱼纹饰具有独特的地域性风格,但这种独特性究竟体现在什么地方,以及是如何产生的,目前学界缺乏系统的论述.建水窑和玉溪窑为代表的云南青花瓷,其鱼纹饰与建水和玉溪本土的地域特征相关,鱼纹饰表达的是这一地理空间中独特的民族文化.通过系统分析该地区哈尼族和彝族有关鱼的神话传说,展现出云南青花瓷的鱼纹饰所富含的女性柔美特征,这一特征反映了当地人民日常生活的审美经验.
Abstract
For a long time,scholars generally believe that the fish pattern in Yunnan blue and white porcelain has a unique regional style.However,there is a lack of systematic discussion on where this uniqueness is embodied and how it came into being.The fish patterns of Yunnan blue and white porcelain from Jianshui kiln and Yuxi kiln are related to local regional characteristics in the areas of Jianshui and Yuxi,demonstrating the unique national culture in this geographical space.Through the systematic analysis of the myths and legends about fish among Hani and Yi people in this area,it can be found that the fish patterns of blue and white porcelain in Yunnan are rich in feminine beauty,which reflects the aesthetic experience of local people's daily life.
关键词
云南青花瓷/鱼纹饰/民族性文化Key words
Yunnan blue and white porcelain/fish decoration/national culture引用本文复制引用
出版年
2024
NETL
NSTL
万方数据