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神圣与凡俗之间:跨文本视域下妙善故事宝卷的审美与情感

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妙善故事宝卷是明清时期观音崇拜的经典,均以公主非凡的出身、崇高的品格与境界、艰难的成道过程等内容彰显出妙善故事非凡崇高的神圣色彩.但从早期的《香山宝卷》到在其基础上改编而成的《观音济度本愿真经》,再到靖江的《香山观世音宝卷》,妙善故事凡俗色彩的增加也历历可见,如佛教教义逐渐淡化、家庭关系日益复杂、世俗性考验愈发富有生活气息等,尤其是与孝道相联系的亲情因素展现出浓郁的世俗人情味.这种出入于圣俗之间的审美情感特质是宝卷的重要特色,既离不开时代因素的影响,亦体现出宝卷编者对民间大众审美心理的深入把握.
Between the Sacred and the Mundane:Aesthetics and Emotions of the Baojuan of Miao-shan Stories from a Cross-text Perspective
The Miaoshan Story Baojuan is a classic text of Guanyin worship from the Ming and Qing dynasties,highlighting the extraordinary and sacred nature of the Miaoshan story through the princess's remarkable origins,noble character and realm,and arduous path to enlightenment.However,from the early"Xiangshan Baojuan"to the"Guanyin Jidu Benyuan Zhenjing,"and further to the"Xiangshan Guanyin Baojuan"of Jingjiang,there is a noticeable increase in the secular elements of the Miaoshan story.These include the gradual dilution of Buddhist doctrines,increasingly complex family relationships,and more life-like secular trials,particularly the familial affection associated with filial piety,which exudes a rich sense of worldly human emotions.This aesthetic emotional quality,oscillating between the sacred and the secular,is a significant feature of the Baojuan.It not only reflects the influence of the times but also demonstrates the compilers'deep understanding of the aesthetic psychology of the general populace.

sacredmundaneBaojuan of Miao-shan storiesaesthetics and emotions

张婉霜

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泉州师范学院,福建泉州 362000

神圣 凡俗 妙善故事宝卷 审美与情感

2024

怀化学院学报
怀化学院

怀化学院学报

影响因子:0.24
ISSN:1671-9743
年,卷(期):2024.43(4)