摘要
舞蹈是传统仪式活动中的重要组成部分,早在原始社会时期,人类的祭祀、仿生表演、巫术活动等仪式中就孕育了舞蹈的雏形.从艺术人类学视角来看,云南少数民族传统仪式舞蹈可划分为巫术仪式舞蹈、宗教仪式舞蹈、生殖崇拜仪式舞蹈、图腾崇拜仪式舞蹈四大类.这些仪式舞蹈体现出了"迷狂"的审美情调、"浪漫"的审美想象以及"和谐"的审美理想在内的审美意识特点,通过对于传统仪式舞蹈的分析,不仅能够了解少数民族群体的历史记忆与文化认同,还可以深入考察其审美心理活动变化与发展.
Abstract
Dance is an important component of traditional ritual activities.As early as the primitive society,human rituals such as sacrificial rituals,biomimetic performances,and witchcraft activities gave birth to the embryonic form of dance.From the perspective of art anthropology,traditional ritual dances of ethnic minorities in Yunnan can be divided into four categories:witchcraft ritual dances,religious ritual dances,reproductive worship ritual dances,and totem worship ritual dances.These ritual dances reflect the aesthetic consciousness characteristics of"madness","romance",and"harmony",including aesthetic ideals.Through the analysis of traditional ritual dances,not only can we understand the historical memory and cultural identity of ethnic minority groups,but we can also deeply examine the changes and development of their aesthetic psychological activities.
维普
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