怀化学院学报2024,Vol.43Issue(6) :60-67.

论音乐形态与文化生态的互文性——以西藏民间音乐为例

On the Intertextuality between Cultural Ecology and Musical Form—Taking Tibetan Folk Music as an Example

赵雄雄
怀化学院学报2024,Vol.43Issue(6) :60-67.

论音乐形态与文化生态的互文性——以西藏民间音乐为例

On the Intertextuality between Cultural Ecology and Musical Form—Taking Tibetan Folk Music as an Example

赵雄雄1
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作者信息

  • 1. 西藏大学,西藏拉萨 850000
  • 折叠

摘要

文化生态包含历史、地理与人文.广义的音乐形态涉及音乐语言的各个方面,并不单指节奏节拍、曲式和声、复调配器等音乐理论.特定的文化生态造就与之相适应的音乐形态,音乐形态的产生与发展又是文化生态的组成与扩充.西藏民间音乐是西藏传统音乐的重要组成部分,其形成、发展与所处文化生态息息相关.西藏民间音乐源于宗教、庆典仪式、生活习俗等,其曲式旋法、唱腔特征、歌词释意、表演动作、服饰道具等均显藏族文化生态之特征.

Abstract

Cultural ecology includes history,geography and humanity.The generalized form of music involves all aspects of music language,not just including rhythm,form harmony,polyphony and other music theories.The specific cultural ecology creates corresponding musical form,and the production and development of musical form is the composition and expansion of cultural ecology.Tibetan folk music is an important part of traditional Tibetan music,and its formation and development are closely related to its cultural ecology.Tibetan folk music originates from religion,celebration ceremonies,life customs,etc.Its musical rotation,singing features,lyrics interpretation,performance movements,costumes and other features have demonstrated the characteristics of Tibetan cultural ecology.

关键词

西藏民间音乐/文化生态/音乐形态/互文性

Key words

Tibetan folk music/cultural ecology/musical form/intertextuality

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出版年

2024
怀化学院学报
怀化学院

怀化学院学报

影响因子:0.24
ISSN:1671-9743
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