首页|符号学视域下海昏侯国器物图像:"天人合一"思想的跨文化传衍研究

符号学视域下海昏侯国器物图像:"天人合一"思想的跨文化传衍研究

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汉代海昏侯墓是我国目前发掘保存最好、内涵最为丰富的汉代列侯标本墓,其出土器物图像是我国古代物质精神文明的重要文化符号,表征着汉时期社会文化的多义性.文中以符号学视域结合考古实物图像,解析海昏侯国器物图像中"天人合一"的哲思及其跨地域的传播特征,探讨其与楚、蜀文化的符号共性,揭示汉代文化中同质化符号建构对后世的深远影响.
Images of National Artifacts of HaihunMarquis from the Perspective of Semiotics:a Study on the Cross-cultural Transmission of the Thought of"Unity of Nature and Man"
HaihunMarquis Tomb of Han Dynasty is the best preserved and most abundant specimen tomb of Han Dynasty in China.The images of its unearthed artifacts are important cultural symbols of ancient material and spiritual civilization in China,representing the social and cultural ambiguity of Han Dynasty.In this paper,the philosophy of"Unity of Nature and Man"in the images of the artifacts of HaihunMarquis State and its cross-regional dissemination characteristics are analyzed from the perspective of semiotics and archeological images,and the similarities of symbols with the cultures of Chu and Shu are discussed,so as to reveal the far-reaching influence of the construction of homogenized symbols in Han culture on later generations.

SemioticsHaihunMarquisThe Unity of Nature and ManImage culture

戴沂君、史丽、刘琳

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江西服装学院艺术设计学院,江西 南昌 330201

南昌市卫生健康促进中心新闻宣传科,江西 南昌 330201

符号学 海昏侯 天人合一 图像文化

2024

湖南包装
湖南省包装联合会,湖南省包装总公司

湖南包装

ISSN:1671-4997
年,卷(期):2024.39(6)