剪花娘子:中国乡村女性意识的行动实践——以库淑兰为例
Paper-Cutting Lady:The Action Practice of Chinese Rural Women's Consciousness,Taking Ku Shulan as an Example
刘路1
作者信息
- 1. 新疆和田学院艺术学院,新疆和田 848000
- 折叠
摘要
剪纸作为中国传统非物质文化遗产,创作者以乡村女性为主,库淑兰作为陕北地区的剪纸艺术家更是别具一格.库淑兰创作的剪花娘子系列作品展现了独特的剪、拼、贴技巧,侧面反映了早期乡村女性意识的觉醒."剪花娘子"作为一种视觉符号,通过暗喻、讽刺等语言形式对女性力量的不可或缺展开陈述,同时对家庭暴力中男性话语权发出讽刺.从库淑兰的"剪花娘子"系列作品中的女性形象入手,探寻剪纸创作中的审美性、本土性,进一步论述其剪纸作品的内涵和意蕴.
Abstract
As a traditional intangible cultural heritage of China,paper-cutting is mainly created by rural women.Ku Shu-lan,as a paper-cut artist in northern Shaanxi region,is even more unique.The series of works of"Paper-Cutting Lady"created by Ku Shulan shows unique cutting,splicing and pasting skills,and reflects the awakening of rural women's consciousness in the early stage from the side.As a visual symbol,"Paper-Cutting Lady"states the indispensability of female power through language forms such as metaphor and satire,and at the same time satirizes the male discourse power in domestic violence.Starting from the female images in Ku Shulan's series of works of"Paper-Cutting Lady",this paper explores the aesthetics and locality in pa-per-cut creation,and further discusses the connotation and implication of her paper-cut works.
关键词
剪花娘子/乡土文化/反对家暴/女性意识Key words
Paper-Cutting Lady/rural culture/oppose domestic violence/female consciousness引用本文复制引用
出版年
2024
NETL
NSTL
万方数据