克里斯托弗·哈斯蒂(Christopher Hasty)的"节拍投射理论"(Meter as Projection)是从时间感知的层面聆听和分析音乐作品的节奏和节拍理论.该理论在西方音乐理论界影响显著且应用广泛.文章在阐明节拍投射理论的基础上,对理论家自身运用该理论的分析进行评述,并进一步运用该理论分析《涉江采芙蓉》中的节奏与节拍,以揭示节拍投射理论的运用思路以及在聆听和分析中的重要意义.
Theory and Application of Meter as Projection
Christopher Hasty's"Meter as Projection"theory explores the rhythm and meter of music through the lens of time perception.This article reviews Hasty's theory and further applies it to examine the rhythm and meter in Picking Lotus in the River.
HastyMeter as ProjectionLUO ZhongrongPicking Lotus in the River
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