江海学刊2024,Issue(1) :247-254.

长江文化的瀚漫审美意象及其美学精神

The"Vast"Aesthetic Image of Yangtze River Culture and Its Aesthetic Spirit

李健
江海学刊2024,Issue(1) :247-254.

长江文化的瀚漫审美意象及其美学精神

The"Vast"Aesthetic Image of Yangtze River Culture and Its Aesthetic Spirit

李健1
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作者信息

  • 1. 南京大学艺术学院
  • 折叠

摘要

长江作为"母亲河",是中华民族不可替代的文化原型之一.立足于其他水系难以比拟的文明多样性和文化包容性,长江文化的重要性可以通过一系列审美意象及其美学精神予以跨学科视角的考察."瀚漫长江"既是其中最具代表性的审美意象之一,又蕴含着与中国传统美学高度契合的"和合四方"的美学精神.一方面,这一审美意象的深层意涵可以借助美学、地理学、博物学等不同学科的文化想象力,进行多维度的揭示;另一方面,其美学精神则可从社会观、天下观、价值观等层面加以系统性的阐释.立足于中华民族共同体建构和民族复兴的当代语境,这一审美意象及其美学精神具有积极的启示意义.

Abstract

The Yangtze River,as the"mother river",is one of the irreplaceable cultural archetypes of the Chinese nation.Its importance can be examined interdisciplinary through a series of aesthetic images and its aesthetic spirit.The"vast"Yangtze River is not only one of the most representative aesthetic images but also contains the spirit of harmony that is highly compatible with Chinese traditional aesthetics.On the one hand,the deep meaning of this aesthetic image can be revealed in multiple dimensions through the cultural imagination of dif-ferent disciplines such as aesthetics,geography and natural history.On the other hand,its aesthetic spirit can be systematically interpreted in terms of social,world,and values.Based on the contemporary context of the construction of the Chinese national community and national rejuvenation,this aesthetic image and its aesthetic spirit have positive enlightenment significance.

关键词

长江文化/瀚漫审美意象/和合四方/美学精神/民族共同体

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基金项目

江苏省社科基金重大项目(23ZDW002)

出版年

2024
江海学刊
江苏省社会科学院

江海学刊

CSTPCDCSSCICHSSCD北大核心
影响因子:0.873
ISSN:1000-856X
参考文献量26
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