论《额尔古纳河右岸》的画境艺术
The Artistic Conception of Painting on The Right Bank of the Erguna River
陈莉1
作者信息
摘要
中国诗情画意的古典美学传统源远流长,迟子建承袭了中国传统诗画艺术对意境的追求,将绘画技艺理念嫁接到文学创作中.作者在小说《额尔古纳河右岸》中呈现了一种水墨画般简约隽永的画境艺术,以设色、写意、空白三种绘画表现手法为切入点,阐释出《额尔古纳河右岸》所展现出的视觉美、笔法美、布局美,挖掘小说画境艺术的独特价值.
Abstract
The classical aesthetic tradition of Chinese poetry and painting has a long history.CHI Zijian inherited the pursuit of artistic conception of Chinese traditional poetry and painting art,and incorporated the concept of painting technique into literary creation.In her novel The Right Bank of the Erguna River,she presents the art of painting landscape that is as simple and profound as ink painting.The author uses color application,freehand brushwork,and the use of blank space as the starting points to explain the visual beauty,brushwork beauty,and layout beauty exhibited in The Right Bank of the Erguna River,which has unique value in exploring the novel's art of painting landscape.
关键词
《额尔古纳河右岸》/画境艺术/审美意义Key words
The Right Bank of the Ergun River/the artistic conception of painting/aesthetic significance引用本文复制引用
出版年
2024
NETL
NSTL
维普
万方数据