摘要
《额尔古纳河右岸》聚焦女性的日常生活,建构了以女性为主体的"日常小史"."日常小史"的叙述者"老女人"与现实原型的裂隙,折射出作者将女性、自然、少数民族折叠在日常生活话语中的写作意图.而"三位一体"的历史叙述具有多重视点和丰厚意蕴,使得历史的不同面相以日常生活为核心辐射开来,构成了对现代性的质疑和解构.但是这种解构只存在于文学虚构的思想文化层面,就现实境遇而言,三者的异质同构性还表现为边缘性的文化姿态以及注定融入主流、走向消亡的历史命运.
Abstract
The Right Bank of the Erguna River focuses on the daily life of women,and constructs a"small history of daily life"with women as the main body.The rift between the narrator of"A Little History of Everyday Life",the"old woman",and the prototype of reality reflects the author's intention to interweave women,nature,and ethnic minorities into the discourse of daily life.This kind of"trinity"historical narrative offers multiple points of importance and rich implications,so that different aspects of history radiate with daily life as the core,constituting a questioning and deconstruction of modernity.However,this kind of deconstruction only exists at the ideological and cultural level of literary fiction,and in terms of reality,the heterogeneous isomorphism of the three is also reflected in the marginal cultural posture,as well as the historical fate destined to merge into the mainstream and disappear.
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