Subjective Spirit,Stylistic Consciousness,and Media Intervention——On the Production and Dissemination of the Concept of"20th Century Chinese Literature"
The proposal of"20th Century Chinese Literature"has been more than thirty years since its inception.The academic community has paid attention to the concept itself,gradually reflecting on it from a historical perspective,affirming its pioneering nature and pointing out its shortcomings.However,there is still little detailed investigation from the perspective of production and dissemination.This includes the academic backgrounds and interests of Qian Liqun,Chen Pingyuan and Huang Ziping,the research directions or advancements of each person before and after the proposal,the uniqueness and effectiveness of the"Three Person Talk"literary form,the intervention awareness of Reading magazine in contemporary academia,and its positioning in the cultural circle of the 1980s.Related to this are various social and cultural landscapes of the 1980s,including lifestyles and academic traditions as well as media publishing and other fields.Exploring the production and dissemination details of the concept of"20th century Chinese literature"not only reveals a large number of"accidents"placed in the"inevitable"prospect,but also presents a cross-section of the broad cultural process of the 1980s as a case study.
"20th Century Chinese Literature"subjective spirit"Three person discussion"Reading1980s
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NSTL
万方数据
