首页|舞蹈表演技术与技巧:想象、情感与动作的差异、转化及统一——以Plié、Tendu、Fondu为例

舞蹈表演技术与技巧:想象、情感与动作的差异、转化及统一——以Plié、Tendu、Fondu为例

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现今重视动作完成而忽略情感表达,造成舞者表演身心二元的现象比比皆是,其中主要问题有二:一是舞者在传统受训中养成长期运用形式思维展开训练;二是舞者没有培养自己运用想象、情感思维的意识.真挚感人的舞蹈表演,是由想象、情感与动作所构成的一个完整系统.虽然想象、情感与动作在概念上有着较大差异,但舞者可以通过对技术、技巧的运用,使三者互相转化、统一,为实现身心一元的表演提供路径与方法.从当代舞蹈表演身心分离、情感缺失的现象出发,以Plié、Tendu、Fondu为例,探索舞者表演问题所在的同时,挖掘想象、情感与动作的内核关系,力图帮助当代舞者突破身心二元的表演困境.
Dance Performance Techniques and Skills:The Differences,Transformation,and Unification of Imagination,Emotion,and Movement—Using Plié,Tendu,and Fondu as Examples
In contemporary dance,the emphasis on executing movements often overshadows emotional expression,resulting in a prevalent mind-body dualism in dancers'performances.The primary issues are twofold:first,dancers develop a long-term reliance on formal thinking through traditional training;second,dancers fail to cultivate the awareness of using imagination and emotional thinking.A truly moving dance performance is a holistic system composed of imagination,emotion,and movement.Although imagination,emotion,and movement differ conceptually,dancers can unify and transform these elements through the application of techniques and skills,providing pathways and methods for achieving integrated mind-body performances.Starting from the phenomenon of mind-body separation and emotional deficiency in contemporary dance performances,this study uses Plié,Tendu,and Fondu as examples to explore the issues in dancers'performances.It aims to delve into the intrinsic relationships among imagination,emotion,and movement,striving to help contemporary dancers overcome the dualistic performance dilemma.

Dance PerformanceMind-Body DualismPerformance Methods

张大策

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沈阳音乐学院,辽宁 沈阳 110818

舞蹈表演 身心二元 表演方法

2021年度福建省社会科学基金项目2023年度江苏高校哲学社会科学研究重大项目

FJ2021C1152023SJD104

2024

吉林艺术学院学报
吉林艺术学院

吉林艺术学院学报

影响因子:0.175
ISSN:1674-5442
年,卷(期):2024.(3)