The Aesthetic Characteristics of the Ontology of Immersive Theatre
Immersive theatre,a postmodern derivative of environmental theatre theory,has become a dominant form in the Chinese contemporary theatre market and a key format in modern Chinese drama.When audiences step into the immersive world of theatre,the boundary between the subjective"self"and the objective drama becomes blurred,leading to an interaction and exchange between subject and object.Immersive theatre,compared to traditional theatre,exhibits changes in the aesthetic characteristics of its ontology,placing the drama's one-degree,two-degree,and three-degree creations in a state of constant motion.These changes are particularly evident in the three dimensions of narrative structure,dramatic emotions,and audience-performer relationships,showcasing the unique aesthetic traits of"non-linearity,""multi-dimensionality,"and"immediacy."
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