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视觉叙事研究年谱

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视觉叙事不仅反映了社会与科技水平的进步,同时还在不断重新定义人类感知和交流的方式。本文旨在系统梳理视觉叙事的理论基础与发展脉络,以整合归纳视觉叙事的研究体系,并探寻其未来发展的可能。中西方结构主义与后现代文学的空间转向以及图像学、符号学领域的研究都为视觉叙事奠定了理论基础。本文根据与视觉叙事相关概念的提出与流行时间将其研究分为前视觉叙事时期(1766年-1966年)、经典与后经典视觉叙事时期(1969年-1997年)以及当代与未来视觉叙事(2003年-至今)三个时期。根据梳理发现,随着传播媒介的迅猛更迭与发展,视觉叙事研究呈现出多元化和跨学科化的趋势,可为解决社会问题、疏解设计领域的未来困境提供新的思路。
Chronology of Visual Narrative Studies
Visual narrative not only reflects the advancement of society and technology,but also continuously redefines human perception and communication.This paper aims to systematically review the theoretical foundations and developmental trajectory of visual narrative,integrating its research framework while exploring its future potential.The theoretical basis of visual narrative is rooted in the spatial turn of Western structuralism and postmodern literature,as well as studies in iconography and semiotics.Based on the emergence and popularity of related concepts,this study divides visual narrative research into three periods:the Pre-Visual Narrative Era(1766-1966),the Classical and Post-Classical Visual Narrative Era(1969-1997),and the Contemporary and Future Visual Narrative Era(2003-present).The findings reveal that with the rapid evolution of communication media,visual narrative research has become increasingly diverse and interdisciplinary,offering new perspectives for addressing social issues and resolving future challenges in the field of design.

visual narrativevisual culturechronological study

崔华春、武嘉玮

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江南大学设计学院,江苏无锡 214122

视觉叙事 视觉文化 研究年谱

2024

江南大学学报(人文社会科学版)
江南大学

江南大学学报(人文社会科学版)

CHSSCD
影响因子:0.248
ISSN:1671-6973
年,卷(期):2024.23(6)