子不语与晚清通俗画报话语转向——以《北京画报》为考察中心
Zi Bu Yu and the Discourse Turn of Vulgar Pictorials in Late Qing:An Analysis Focusing on Beijing Pictorial
周慧梅1
作者信息
- 1. 北京师范大学教育学部;江苏开放大学教育科学研究院
- 折叠
摘要
从历史长时段看,知识阶层对普罗大众的"怪力乱神"之事多持宽容态度,文人墨客对于这种民风流俗时有推波助澜,晚清《点石斋画报》"因果报应"内容影响甚广,呈现出一种知识精英与普罗大众的集体狂欢场面,这种互动到了清末新政时期悄然变化.普通民众因迷信而愚昧,成为知识精英和政府官员的一个"常识性结论".这一时期兴起的通俗画报刊登的"子不语"系列题材,借用舶来的"科学知识"为基准臧否迷信,为普通民众铺设一个新的开通世界,并借此来引导和重塑民众的日常生活.传统的"怪力乱神"图像言说和话语策略的转向,是晚清社会持改革态度的政府官员和知识精英集体心态的体现.
Abstract
From a long historical perspective,the intellectual class mostly maintains a tolerant attitude towards the"spiritual be-ings"of the general public,and literati often contribute to this kind of folk customs and vulgarity.The content of"karma"in the late Qing's Dian Shi Zhai Pictorial had a wide influence,presenting a collective carnival scene of intellectual elites and the gener-al public.This interaction quietly changed during the late Qing's New Deal period.The fact that the general public was in a deep vortex of ignorance due to superstition has become a common-sense conclusion for intellectual elites and government officials.The vulgar pictorials of this period published the"Zi Bu Yu"series,which used imported"scientific"knowledge as a benchmark for rejecting"superstition",paving a new open world for the general public,and using it to guide the reshaping of people's daily lives.The shift in traditional"spiritual beings"imagery and discourse strategies was a reflection of the collective mentality of government officials and intellectual elites who held reformist attitudes in late Qing Dynasty society.
关键词
反迷信运动/通俗画报/子不语/《北京画报》/晚清Key words
anti-superstition movement/vulgar pictorials/Zi Bu Yu/Beijing Pictorial/late Qing Dynasty引用本文复制引用
基金项目
北京师范大学教育学部惠妍国际学院国际联合研究项目(ICER202102)
出版年
2024
NETL
NSTL
万方数据