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早期中国电影"青年银幕文化"的生产与传播(1913-1937)

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早期中国电影是观照中国青年的现代性时空.新兴的电影媒介开辟出一方新的具有成长性的消费青年与青年消费的公共空间,是研究这一时期中国青年文化传播史的重要媒介资源.文章将作为一种文化观念的"青年"置于早期中国电影史的视野中,考察早期电影创作与青年观念之间的互动关系,系统地分析"青年观念"在不同时期的银幕呈现特征及其背后的意识形态博弈.初步回顾早期中国电影对"青年观念"的生产与传播过程中的价值意义和现实影响.通过对早期中国电影的青年银幕文化的阶段特征、建构路径、现实影响和艺术表达的梳理,立足于"媒介—社会—人"的理论思考,以期总结出早期电影对青年文化生产与传播的积极意义和历史经验.
The Production and Dissemination of"Youth Screen Culture"in Early Chinese Films(1913-1937)
Early Chinese films were the modernity space-time for observing Chinese youth.The emer-ging film medium opened up a new and growing public space for consuming youth and youth con-sumption,and it is an important media resource for studying the history of Chinese youth culture dis-semination during this period.This article places"youth"as a cultural concept within the perspec-tive of the early history of Chinese films,examines the interactive relationship between early film cre-ation and the concept of youth,and systematically analyzes the on-screen presentation characteristics of the"youth concept"in different periods and the ideological games behind them.It preliminarily reviews the value significance and practical influence of early Chinese films in the production and dissemination process of the"youth concept".Through sorting out the stage characteristics,construc-tion paths,practical influences and artistic expressions of the youth on-screen culture in early Chi-nese films,based on the theoretical thinking of"media-society-people",it is expected to summarize the positive significance and historical experience of early films for the production and dissemination of youth culture.

early Chinese filmsyouth culturemodernity

沈鲁、彭俊颖

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南昌大学新闻与传播学院,江西南昌 330031

南昌大学中华优秀传统文化跨境传播研究中心,江西南昌 330031

早期中国电影 青年文化 现代性

国家社科基金一般项目江西省青年马克思主义者理论研究创新工程项目

22BXW07722QM72

2024

江西师范大学学报(哲学社会科学版)
江西师范大学

江西师范大学学报(哲学社会科学版)

CSSCICHSSCD北大核心
影响因子:0.678
ISSN:1000-579X
年,卷(期):2024.57(4)