从个人记忆到"无中心"——在历时的文脉中设计
From personal memory to decentralization:design in diachronic context
王斌1
作者信息
摘要
以苏州个别建筑设计事务所的作品为对象,用索绪尔语言学中的"共时"与"历时"概念作为切入角度,以理论结合实践的方式剖析建筑设计过程中的主观性与客观性.通过对"文脉"一词的重新诠释,试图重构其与建筑设计的关系:共时的文脉包含场地条件和社会条件,历时的文脉虽然指的是历史的演化过程,但在具体设计中却是对于这种演化的记忆与理解,是一种个人化认知.从几乎是潜意识的个人记忆表达,到有意识地编辑成知识体系,建筑设计可以转变成主动的对于历时文脉的创造,而其结果是一种"无中心"的空间.以共时的和历时的文脉作为相互对照的设计工具,可以先验地引领设计,也可以通过经验回溯理论.
Abstract
By taking the works of Ge Bie Architects as examples,this article uses the concepts of"synchronic"and"diachronic"to analyze the subjectivity and objectivity in ar-chitectural design.By reinterpreting the term"context",the article attempts to reconstruct its relationship with architectural design:the synchronic context includes site conditions and social conditions,while the diachronic context is a personalized cognition based on memory and understanding of the evolution of history.Architectural design can be trans-formed into active creation of a diachronic context,resulting in a"decentralized"space.It will be possible to lead design and trace theory through experience by using syn-chronic and diachronic context as a cross referencing design tool.
关键词
建筑文脉/历时/共时/批判性建筑学/个人记忆/知识体系/"无中心"空间Key words
architectural context/diachronic/synchronic/critical architecture/personal memory/knowledge system/"decentralized"space引用本文复制引用
出版年
2024
NETL
NSTL
万方数据